Tweet
Vilken keramikfabrik har gjort denna. Jag är såååååå dålig, när vi hamnar på kontinenten. För det är väl där vi är......
Bifogade filer
-
Last edited by Kaptenen; 2011-03-07, 18:21. -
Det var en fin figurin, förlagan känns som 1920-tal. Men varför har porslinstillverkaren Vesuvius som logotype? Återfinns tillverkaren M. S. O eller M. S. C i Neapel?
Är själva skulpturen signerad av konstnären?Bifogade filer -
-
Ursprungligen postat av Kaptenen Visa inlägg
Det låter riktigt med Italien och 20-tal. Min sambos far har köpt den någon gång då på sina resor i Europa. Det finns ingen signatur på skulpturen vad jag kan se, men det står något mer under som jag tyvärr inte lyckats tyda.... 
Ser ut att börja på L.......och sluta på che.
L....che.Comment
-
Grattis Prylsnubben! Nu har vi kommit så långt att den är gjord vid...
MUSEO SCUOLA OFFICINA
(Museo Artistico Industriale - M.A.I. - Officina Ceramica)
Il "Museo Scuola Officina" di Napoli viene istituito nel 1882.
Nel 1900, ad opera del direttore Giovanni Tesorone, vengono allestite le officine, tra cui quella di ceramica, per svolgere le attività pratiche.
Nello stesso anno il presidente del Museo, il principe d'Abro Pogratide, visita l'Esposizione Universale di Parigi e dona al museo alcune importanti ceramiche realizzate dalle grandi manifatture europee, che saranno riferimento per insegnanti ed allievi dei moderni canoni artistici legati allo stile Liberty.
Dal 1902 al 1912 è nominato direttore del "Museo Scuola Officina" Stefano Farneti, padre del ceramista Carlo e proprietario della manifattura ceramica "Farneti"
Tra i ceramisti presenti nel "Museo Scuola Officina" di Napoli sono da ricordare, oltre al Tesorone, Mina Anselmi, Guido e Mario Cacciapuoti, R. De Simone, Gennaro Esposito, E. Montrone, F. Nagar, L. Russo e Tobia Strino.
Digital översättning
MUSEUM SCHOOL WORKSHOP
(Museum of Industrial Art - MAI - Ceramic Workshop)
The Museum School Workshop is set in Naples in 1882.
In 1900, by the Director John Tesorone, Are set up workshops, including the ceramic, to carry out practical activities.
In the same year the President of the Museum, the Prince of Abro Pogratide, visit the Universal Exhibition in Paris and gives the museum a number of important pottery made by large European manufacturers, which will be reference for teachers and students of modern artistic fees associated with the Nouveau .
From 1902 to 1912 he was appointed director of the Museum School Workshop "Farneti Stephen, father of the potter Charles and owner of pottery "Farneti"
Among the ceramics in the Museum School Workshop "in Naples have to remember, in addition to Tesorone, Mina Anselmi, Guido and Mario Cacciapuoti, R. De Simone, Gennaro Esposito, E. Montrone, F. Nagar, L. Russian and Tobias Strino.
Last edited by Kaptenen; 2010-04-08, 18:02.Comment
-
Det var verkligen bra jobbat Kaptenen. Stort tack och Ditt grattis värmer. Det ska bli spännande att kolla lite vidare.......Comment
-
"Europa auf dem Stier" är säkert bra sökord. Jag tror att förlagan är tysk och varje tysk porslinsfabrik med lite klass verkar ha sin version.Comment
-
Ceramic workshop of the Industrial Arts
Museum, Naples
The Industrial Arts Museum came into being in 1881 in Naples as a result of the commitment of Gaetano Filangeri; its purpose was to stimulate the revival and
promotion of Naples’ industrial arts and preserve antique and modern artistic items as an indispensable cultural aid for the workshops belonging to the museum.The purpose of the institution was to educate and train young craftsmen, both in the technical and cultural sense, and relaunch the artistic traditions of Naples in
relation to the new European artistic trends. The ceramic workshop, organized by Giuseppe Cacciapuoti and subsequently directed by Domenico Morelli and Filippo
Palazzi, mainly produced works of an ornamental nature, and although the predominant style was naturalistic, there were also some fine examples of
period copies. As well as the production of vases and statues, tiles and their decorative function as architectural features were also important. As the ceramics workshop was a breeding ground for young talent and provided an opportunity for innovation, the works produced reveal continual experimentation in both
form and colour. “The museum of industrial arts, once established as an experimental studio and at the same time a home for the ‘applied arts’ and a laboratory for stylistic and technical training” (Il sogno del principe. Il Museo Artistico Industriale di Napoli: la ceramica tra Otto e Novecento, exhibition catalogue, [Faenza], Florence 1984, p. 21), produced numerous artists whose works promoted the culture and traditions of Naples.
Claudio Paolinelli (2007), Regesto delle principali manifatture ceramiche italiane dell’Ottocento / Register of the Principle Italian Ceramic Factories in the 19th Century in DecArt - Rivista di arti decorative / A Magazine for the Decorative Arts, N. 7 primavera /spring 2007
Last edited by Kaptenen; 2011-07-15, 20:12.Comment
-
Tack Kaptenen !
Som vanligt ett informativt, sakligt och intressant inlägg. Jag tackar och bugar
.
Comment
Comment